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未知
导演:
尤金·埃什
主演:
泰莎·汤普森,纳马迪·阿斯穆格哈,伊娃·朗格利亚,阿雅·娜奥米·金,温迪·麦丽登·康薇,杰米玛·科克,托恩·贝尔,阿拉诺·米勒,雷吉-让·佩吉,兰斯·莱迪克,约翰·马加罗,罗恩·芬奇斯,莱恩·米歇尔·巴特,Erica,Gimpel,MC,Lyte,塔克·斯莫尔伍德,Nina,Bena-Ashe,Greg,Eagles,Christian,Lagadec
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HD中字
简介:
伊娃·朗格利亚加盟爵士题材剧情片《西尔维》,泰莎·汤普森主演,Eugene Ashe自编自导。讲述在50年代末纽约爵士时代,一个年轻女子在父亲位于哈莱姆区的唱片店工作时,遇到了一位雄心勃勃的萨克斯手(前NFL球员兼演员Nnamdi Asomugha饰),在经历了一段夏日恋情后,两人多年后再次相遇,发现他们之间的火花从未动摇过。
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未知
导演:
Herbert,Wilcox
主演:
Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla
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HD中字
简介:
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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导演:
格恩迪·塔塔科夫斯基
主演:
凯斯·索西,杰夫·贝内特,克里斯汀·凯文诺,弗兰克·维尔克,汤姆·肯尼,凯特·克雷西达,艾莉森·摩尔,罗伯·鲍森,坎迪·米洛,埃迪·狄森,岩松信,迪·布拉雷·贝克尔,金伯莉·布鲁克斯,布拉德·加内特,达兰·诺里斯,罗伯特·雷吉利,多姆·德路易斯,帕梅拉·阿德龙,莫里斯·拉马奇,迈克尔·帕塔奇,盖瑞·欧文斯,詹妮弗·黑尔,Greg,Eagles,凯文·迈克尔·理查德森,劳伦·汤姆,阿尔·伯恩,吴汉章,吉姆·卡明斯,兰迪·萨瓦格,杰夫·库普伍德,蕾切尔·麦克法兰,保罗·威廉姆斯,约翰·卡西尔,Tyler,Sa
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已完结
简介:
此卡通剧是由cartoonnetwork工作室从1996年开始制作的,每集约七分钟。德克斯特(冯友薇 配音)是一名七岁的身材矮小的天才儿童,他有一间巨大的实验室、一只用于试验的宠物猴子,以及一个天真爱捣乱的姐姐迪迪(吕佩玉 配音)。德克斯特每天的工作就是做着永无止尽的试验,想着如何打败对手曼德克(李宛凤 配音),还有如何防止迪迪的乱入破坏。德克斯特从来都不知道,他的宠物猴子其实是个超级英雄,只要一听到呼叫就会和他的偶像葛罗利队长、维哈林、库克一起保护地球。 本剧集获得4次“艾美奖”杰出动画节目提名,3次“美国影音编辑奖”最佳电视动画音乐编辑奖提名,1997年“安妮奖”(动画界奥斯卡)剧本创作奖 。
添加:
未知
导演:
丹·特拉亨伯格
主演:
安伯·明迪桑德,达寇塔·比弗,戴恩·迪利格罗,斯托米·基普,米歇尔·史拉斯,朱利安·布莱克·安蒂洛普,斯蒂芬·马蒂亚斯,Bennett,Taylor,Mike,Paterson,Nelson,Leis,Tymon,Carter,斯凯·佩列蒂耶,Harlan,Blayne,Kytwayhat,Corvin,Mack,塞缪尔·马蒂,Ginger,Cattleman,Seanna,Eagletail,Samiyah,Crowfoot,Cody,Big,Tobacco,Troy,Mundle
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更新HD
简介:
本片以300年前的科曼奇族为背景,讲述了一个名叫纳鲁的年轻女子的故事,她是一位凶猛且技艺高超的战士。她在大平原上一些传奇的猎人阴影下长大,所以当危险威胁到她的营地时,她要保护她的族人。当她发现自己面对的猎物是一个高度进化的外星掠食者,且拥有先进的技术武器,一场恶战开始了!
添加:
未知
导演:
Herbert,Wilcox
主演:
Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla
备注:
已完结
简介:
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor