添加：
1924-02-14
导演：
弗里茨·朗
主演：
Gertrud,Arnold,Margarete,Schön,Hanna,Ralph,保罗·里希特,西奥多·卢斯,Hans,Carl,Mueller,Erwin,Biswanger,伯恩哈德·格茨克,汉斯·阿达尔贝特·施莱托,格奥尔格·约翰,弗里达·李察,Yuri,Yurovsky,Iris,Roberts,弗里茨·阿尔伯蒂,格蕾特·贝格尔,鲁道夫·克莱恩-鲁格,Georg,August,Koch,Rudolf,Rittner
备注：
正片
简介：
这是一个根据一个古老的德国传说改编的故事。很久以前有一个英雄，他叫西格弗里德。因为龙血沐浴，他浑身刀枪不入，力大无比。有一天，他邂逅了美丽的公主西里姆希尔德而坠入了情网，决心去城堡里找她，他这一路经历了很多，遇到了好人还有坏人......
添加：
未知
导演：
Hanns,Walter,Kornblum
主演：
Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl
备注：
HD中字
简介：
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.